Cyntia Monteiro

A career built within the Brazilian performing arts, with a significant chapter shaped by the work developed at Teatro Oficina, a landmark institution recognized for its experimental language and large-scale productions. This environment fostered a steady presence across acclaimed works, engaging with projects marked by creative experimentation, collaborative processes, and a strong relationship with live audiences.The international circulation of the production Macacos stands out as a defining experience. The tour brought the piece to Chile, Uruguay, the United States, Mexico, the Netherlands, Portugal, and Russia, placing the work in dialogue with diverse cultural contexts and performance settings. Alongside long-term collaborations—including ongoing work in productions such as Torto Arado—this trajectory is complemented by projects presented in theatres, festivals, and independent stages.